Published Work & Research
Rosner, Marley. 2024. “Towards Liveness: Collective Memory and Reproductions of Studio Reverberation.” Sound Studies 10 (2): 201–22. doi:10.1080/20551940.2024.2304500.
Screenshot of Abbey Road Studio 3 plugin by Waves
Sound Recollections
Bridging sound studies, media theory and memory studies, my dissertation takes aim at the collective work involved in constructing representations of recording studio spaces, practices, and culture within the mediums of cinema and software.
Research towards this dissertation has been presented at national and regional conferences for the Society for Cinema and Media Studies, Popular Culture Association / American Culture Association, and the Far West Popular Culture Association.
A second project I am working on argues that the murky space between peer-to-peer file sharing networks alongside the legal and political battles surrounding this form of online distribution becomes most fully comprehended through the metaphorical image of the pirate. Distribution Mutiny places file sharing networks into a broader historical trajectory in which individuals have disrupted unidirectional distribution networks.